![]() ![]() One instance of any sampked guitar is ok, but you need more. ![]() Hendrix, McLaughlin, Coryell, Eric Johnson.īut I play leads where that big sounding lead is needed and my Guitarist is good but doesnt have “that” sound. Shreddage 3 for Lynard Skynard ADT Sounding Guitar lead pisses off my Guitarist.īut I know how to play Guitar. So, I myself, I don´t even try beating the specialists (real musicians). ![]() OTOH, the real deal togeher w/ the right player will deliver (better) performance and variations in almost no time,- when the artist is good enough to deliver. Lyle Mays said you have to "cook" your patches like a good meal until they are expressively playable.įor sure, there´s a learning curve when using software and you have to make lots of patches until it works for a given purpose,- but it will do. It´s all about how you deal/play w/ a sound, especially when it comes to software,- even hardware synthesizers. The instrument itself and even you sample "deeply" or model, is less than 50%. You cant get a real guitar sound/performance with a keyboard (& virtual stuff) but you can certainly get a very good one. But I'm somewhat reversed on that position now. ![]()
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